Hi, I've got two questions about pantographs and I was hoping this forum could help shed some light on them.
First, how much pressure does a pantograph exert on the wire? Is it like a violinist dragging the bow softly on the string, or more like a bass guitarist plucking away? Watching SEPTA EMUs cross the Schuylkill by 30th Street, I noticed that the pantos appear to extend slightly when they go between the catenary masts. Is this because they are exerting a great deal of force, or is the catenary arced?
Second, I recall seeing pantos facing both ways under the wire, but "elbow behind" is the position I see most often. It seems to me that running with the elbow to the rear would be more prone to snags, whereas running with the elbow forward would allow the panto to glide under any imperfections in the wire.
Thanks in advance!
First, how much pressure does a pantograph exert on the wire? Is it like a violinist dragging the bow softly on the string, or more like a bass guitarist plucking away? Watching SEPTA EMUs cross the Schuylkill by 30th Street, I noticed that the pantos appear to extend slightly when they go between the catenary masts. Is this because they are exerting a great deal of force, or is the catenary arced?
Second, I recall seeing pantos facing both ways under the wire, but "elbow behind" is the position I see most often. It seems to me that running with the elbow to the rear would be more prone to snags, whereas running with the elbow forward would allow the panto to glide under any imperfections in the wire.
Thanks in advance!